Sunday 31 January 2016

THE HATEFUL EIGHT : Saturday 30th January 2016.

Quentin Tarantino's 8th film - 'THE HATEFUL EIGHT' is set in Wyoming, in the depths of Winter around Christmastime, about ten miles or so from the town of Red Rock and for the most part in a little mountain stagecoach stopover called Minnie's Haberdashery. Plagued by some controversy early on this QT penned and Directed film was leaked to the media in script form in January 2014 having announced some months earlier that his next film had been written and it would be another Western, but not, as many had thought, a follow up to 'Django Unchained'. As a result QT cancelled the movie and let it be known in a lawsuit against those who leaked his screenplay, that they were to blame and that he was none too pleased! However, time is a great healer, and within a year, and after a successful live read of the script to a gathered audience in LA, filming began near Telluride in Colorado in early December 2014. Made for US$44M and so far raking in US$103M after its release in the US in late December, in the UK on 8th January and here in Australia on 21st January, the film has already scored 22 award wins and 70 nominations including three Oscar and three BAFTA nods still pending for Best Screenplay, Best Supporting Actress, Best Score and Best Cinematography.

With a running time of almost three hours, this is a long drawn out film, but rest assured your patience will be rewarded. Split into six distinct chapters and featuring frequent collaborators including Samuel L. Jackson, Michael Madsen, Tim Roth, Zoe Bell and James Parks, the first half of the film is a characters study where little happens other that learning about the characters back stories, what drives them, and how they all come to be together at Minnie's Haberdashery caught in a blizzard that prevents their onward journey. Set sometime in the mid 1870's this is post US Civil War - but only recently, and the scars of that war still run deep amongst those we are about to meet.

In a snow covered mountain landscape we are introduced first up to a six horse drawn stagecoach where driver O.B.Jackson (James Parks) is at the reins, with only John Ruth a.k.a 'The Hangman' (Kurt Russell) inside and he is shackled to Daisy Domergue (Jennifer Jason Leigh) who he intends to bring to justice at the end of the hangmans noose in Red Rock and collect his $10,000 bounty reward on her head. En route the Stage encounters Major Marquis Warren a.k.a. 'The Bounty Hunter' (Samuel L. Jackson) on the road having lost his horse but sitting atop three dead bodies he is taking to Red Rock to claim an $8,000 bounty reward. He negotiates with John Ruth to let him aboard to escape the bitter cold and continue the journey, and it turns out they share some history going back eight months or so to a dinner party.

As the three get acquainted along the way and exchange war stories and tales of bounty collection, because the two are in the same business after all, it turns out that Warren is the recipient of a personal letter from President Abraham Lincoln that instantly makes him a point of interest as a black man in a white mans world. Later on through some mishap involving the letter and Domergue, the Stage comes to an abrupt halt and they find themselves with another stray caught in the snow and a long way from home - Chris Mannix 'The Sheriff' (Walton Goggins), who is seeking a ride to Red Rock where he will be sworn in as the new Sheriff. Reluctantly Ruth agrees, and again further back story is revealed of Mannix's family history and his war time stance against the blacks, and despite his ill feeling toward Warren, he is grateful for the ride.

In time with the blizzard conditions worsening, the Stage draws up at Minnie's Haberdashery which is known to Warren, but not the others. Minnie is however, nowhere to be seen which raises the suspicions of Warren instantly, but he is accepting (for now) of the explanation of the man left in charge, Bob, a.k.a. 'The Mexican' (Demian Bichir). Whilst O.B. and Warren tend to the horses with Bob outside, Ruth and his hostage Domergue and Mannix take refuge inside. Here we are introduced to Englishman Oswaldo Mowbray a.k.a.'The Little Man' (Tim Roth), Joe Gage a.k.a 'The Cow Puncher' (Michael Madsen) and General Sanford Smithers a.k.a. 'The Confederate' (Bruce Dern). And now our eight, are assembled!

Again, our characters stories are explored and unfolded as pieces of the jigsaw puzzle come together and we learn more of the dynamic of these eight individuals thrown together by circumstance and chance. The slow burning unfolding storyline continues as Ruth sets his ground rules for bringing Domergue to justice at Red Rock. Mowbray we learn is the official hangman who will see Domergue swing in a few days time once the blizzard eases, by which time Mannix will be instituted as Sheriff of Red Rock to oversee the proceedings, and pay out the rewards owing to Ruth and Warren for their collective $18,000 for which the two have made their own pact to safeguard each other to protect their investments. Who can they all trust and are there hidden agendas amongst this bunch of miscreants thrust together?  Ruth is very untrusting of just about everyone, and Warren has his suspicions already with Minnie being absent from her beloved mountain Haberdashery - where ordinarily Mexican's are not allowed to tread, yet there is a Mexican in charge!

As we ease in to the second half of the film cowpoke Gage has been alienated by Ruth, Warren has fallen out with 'The Confederate' because they were on different sides of the field at the Battle of Baton Rouge during the Civil War, Mannix has a distrust for Warren because he's black and believes his letter from Lincoln is a forgery, Warren's suspicions of Mexican Bob grow deeper, and Domergue needles away at Ruth, Warren, Mannix and Mowbray because they all potentially have a hand in her upcoming hanging. As the tension rises, sides are taken, truths are revealed and personalities exposed so there is the first blood letting, but, in self defence, which makes it OK in such august law abiding upstanding company!

By now the tension is ramped up as the body count slowly but surely begins to rise and Warren's suspicions are confirmed over Mexican Bob, Gage and Mowbray but to what end he still does not know except that they all seem to be in that one place at that one time with Domergue, so who is she in cahoots with?

At this point after further bloodletting, we have to go back to earlier in the day with a voice over narrated by QT himself to plug in some story gaps and introduce us to several new characters. These too have a major part to play in the story that unfolds later that day and some of which we have already seen, but this time from a different perspective. Here as the Stagecoach rolls in to Minnie's with Six Horse Judy at the reins (Zoe Bell) complete with Kiwi accent which is quickly explained, and Jody Domingray (Channing Tatum) the agenda slots into place as does the connection with Domergue and those others in the Haberdashery that we have met already.  Here once more the tension mounts and the body count rises leaving just three standing (well, hardly, as they all have bullet wounds that in fact prevent them from standing!), but ultimately justice is served but not in the way that was originally intended, and an unlikely bond is forged, but, will it stand the test of time given the wounds inflicted . . . fade to black!

Once again QT has delivered a great story with razor sharp dialogue, quick wit, and strong performances from Russell who chews up the first half, giving way to Jackson who owns the second half. Each character is allowed the time to evolve and unfold as we become acquainted with their history, personalities, motivation and incentives, and each is as colourful and diverse as the next. Goggins as Mannix is your archetypal cowboy that he portrayed also in 'Django Unchained' and looked at ease in his role and delivers it with conviction, Madsen as Gage as is laid back as ever and plays the smiling assassin, and Roth grated on me a little and was trying too hard for my money to emulate 'Dr. King Schultz' - the Christoph Waltz character from 'Django Unchained' but with an English aristocratic accent and mannerisms, that I though was just too familiar! Jennifer Jason Leigh as Domergue spends the whole film chained to the arm of Ruth and is well & truly put thorough the wringer at his hands being punched, smashed with a rifle butt, scalded with a bowl of steaming hot stew, shot, and mostly blood soaked with either her own, or someone else's. Worthy of all the Best Supporting Actress nominations she has so far garnered - she plays it stoic, menacing and emotional all at once.

With Ennio Morricone's score (his first Western soundtrack in 35 years), stunning snow scenes, his trademark eye for detail, award worthy dialogue, a rich story, strong performances and believable characters, QT has crafted another great film that you should see on the big screen while you can. With two Westerns in the can, will he surprise and delight us with a third - this Reviewer certainly hopes so!


-Steve, at Odeon Online

Saturday 30 January 2016

Birthday's to share this week : 31st January - 6th February 2016.

Do you celebrate your Birthday this week?

Michael Mann does on 5th February - check out my tribute to this Birthday Boy, turning 73, at the end of this feature.

Do you also share your birthday with a well known, highly regarded & famous Actor or Actress; share your special day with a Director, Producer, Writer, Cinematographer, Singer/Songwriter or Composer of repute; or share an interest in whoever might notch up another year in the coming seven days? Then, look no further! Whilst there will be too many to mention in this small but not insignificant and beautifully written and presented Blog, here are the more notable and noteworthy icons of the big screen, and the small screen, that you will recognise, and that you might just share your birthday with in the week ahead. If so, Happy Birthday to you from Odeon Online!

Sunday 31st January
  • Minnie Driver - Born 1970, turns 46 - Actress
  • Portia de Rossie - Born 1973, turns 43 - Actress
  • Justin Timberlake - Born 1981, turns 35 - Actor | Singer | Songwriter
  • Dexter Fletcher - Born 1966, turns 80 - Actor | Writer | Director | Producer
  • Anthony LaPaglia - Born 1959, turns 57 - Actor | Producer
  • Philip Glass - Born 1937, turns 79 - Composer | Songwriter
Monday 1st February
  • Terry Jones - Born 1942, turns 74 - Director | Actor | Producer | Writer 
Tuesday 2nd February
  • David Jason - Born 1940, turns 76 - Actor | Producer | Director
  • Gemma Arterton - Born 1986, turns 30 - Actress
Wednesday 3rd February
  • Isla Fisher - Born 1976, turns 40 - Actress
  • Nathan Lane - Born 1956, turns 60 - Actor | Producer | Singer
  • Michael Camino - Born 1939, turns 77 - Director | Producer | Writer
Thursday 4th February
  • George A. Romero - Born 1940, turns 76 - Director | Producer | Writer | Editor | Actor
  • Patrick Bergin - Born 1951, turns 65 - Actor
  • Natalie Imbruglia - Born 1975, turns 41 - Actress | Singer | Songwriter
  • Gabrielle Anwar - Born 1970, turns 46 - Actress
Friday 5th February
  • Jennifer Jason Leigh - Born 1962, turns 54 - Actress | Writer | Producer | Director
  • Charlotte Rampling - Born 1946, turns 70 - Actress
  • Laura Linney - Born 1964, turns 52 - Actress | Producer
  • Tony Jaa - Born 1976, turns 40 - Actor | Stuntman | Writer | Producer | Director
  • Michael Sheen - Born 1969, turns 47 - Actor | Producer
  • Michael Mann - Born 1943, turns 73 - Director | Producer | Writer | Cameraman
  • Tom Wilkinson - Born 1948, turns 68 - Actor
Saturday 6th February
  • Rip Torn - Born 1931, turns 85 - Actor
  • Jim Sheridan - Born 1949, turns 67 - Director | Producer | Writer
  • Kevin Whatley - Born 1951, turns 65 - Actor
Michael Kenneth Mann was born in Chicago, Illinois, USA to mother and father Esther and Jack Mann - both grocers. He received a BA in English at the University of Wisconsin - Madison, where his interests were in history, architecture and philosophy. At that time he saw Kubrick's 'Dr. Strangelove' and decided he had an affinity with film. He moved to London and attended the London International Film School and remained in the UK for seven years working on television commercials with his contemporaries including Ridley Scott, Alan Parker and Adrian Lyne. His first foray into the world of film making came in 1968 as Director and Cinematographer on a short documentary film 'Insurrection' about the Paris Student Revolt of that year.

He directed a number of other short films during the early 70's before writing four episodes of 'Starsky & Hutch' in the mid-70's, followed up quickly by four episodes writing for 'Police Story' which ran concurrently. It was here that he started to hone his research skills of detective investigative work that he could in turn portray with greater accuracy on screen - a trademark of all his later films.

His first feature length film came with 'The Jericho Mile' in 1979 which won three Emmy Awards. He followed this up two years later in 1981 with 'Thief' with James Caan, Willie Nelson and Tuesday Weld, for which he also wrote the screenplay. 1983 also saw 'The Keep' which he Directed and again wrote and starring Scott Glenn, Ian McKellen and Gabriele Byrne in a Nazi era horror thriller story.

It was the mid-80's however, that perhaps established Mann as the man of the moment as he Executive Produced the highly acclaimed 'Miami Vice' television series which ran very successfully from 1985 until 1989 and remains regarded as a touchstone of police television drama that influenced a generation. 'Crime Story' aired concurrently from 1986 for two seasons and was also created by Mann but failed to gain viewer traction against 'Miami Vice' and 'Moonlighting' which it was up against in the ratings.

In 1986 Mann first introduced us to the world of Hannibal Lecter in his adaptation of 'Manhunter' with Brian Cox in the lead role - later recreated so successfully by Anthony Hopkins in the film series based on the Robert Harris books.

As the 90's clicked over 'The Last of the Mohicans' with Daniel Day Lewis and Medeline Stowe picked up awards recognition in 1992, with the cult classic and a personal favourite of this Reviewer, 'Heat' with the pairing of Pacino and De Niro for the first time on screen together, supported by an ensemble cast that showcased Mann's deft touch for crime drama. This was followed up by 'The Insider' with Russell Crowe, Al Pacino, Christopher Plummer and was nominated for seven Academy Awards.

In 2001 his bio-pic 'Ali' with Will Smith as three time world heavyweight champion Muhammad Ali with Jamie Foxx, Jon Voigt and two further Oscar nods. On all of these four films Mann also Produced. He followed this up with 'Collateral' starring Tom Cruise playing the unlikely role of a cold calculating hitman. The film also starred Jamie Foxx and Mark Ruffalo - and was nominated for two Oscars. Next up he Produced 'The Aviator' as Directed by Martin Scorsese which went onto win five Academy Awards and again another six nominations.

His big screen adaptation of 'Miami Vice' followed in 2006 which he Directed and Produced too with Colin Farrell in the Don Johnson role as Sonny Crockett, and Jamie Foxx in the Philip Michael Thomas role as Rico Tubbs.  Next up Mann served as Producer on two Peter Berg Directed films starring two familiar collaborators - Jamie Foxx in 'The Kingdom' and Will Smith in 'Hancock'.




His next Directorial outing was the historical gangster telling of 'Public Enemies' in 2009 with Johnny Depp, Christian Bale, Jason Clarke, David Wenham and Channing Tatum, with Depp playing the lead role as the notorious John Dillinger.

The series 'Luck' survived just one season and was Produced by Mann with one episode out of the ten Directed by him. This gave way to 'Blackhat' in 2015 starring Chris Hemsworth which failed to claw back its US$70M budget by a country mile and was critically panned. A year ago it was reported that Mann was developing a film about the life and times of Italian super sports car supremo Enzo Ferrari which has begun shooting recently and has been a passion of Mann's for some fifteen years - expected to our screens sometime in 2017 if all goes according to plan.

Mann has 25 Producer credits to his name, 22 Writing credits and 19 Directing credits as well as four Academy Award nominations, two Golden Globe nominations, one BAFTA win and one nomination, and another 26 nominations and 14 wins to date. He has been married to Summer Mann since 1974 and has four children of which Ami Canaan Mann is following in her fathers footsteps, and Alan Mann is a Production Designer and Art Director.

Michael Mann - always meticulously researched, preferred on-set camera operator, a penchant for his home town of Chicago as the backdrop to his movies, will shoot many different takes of the same scene from a variety of angles, shoots his commercials like mini-feature films, and takes time to research and develop his next project, and as a consequence we love your work! Happy Birthday to you Michael, from Odeon Online.

-Steve, at Odeon Online-

Thursday 28 January 2016

THE REVENANT : Tuesday 26th January 2016.

I finally got around to see the much talked about 'THE REVENANT' earlier this week, and was not disappointed given the attention that this film has so far garnered. Directed by Alejandro Gonzalez Inarritu, Produced and Written for the screen by him too and based loosely on the book of the same name by Michael Punke, this is an epic early Western film the like of which we have not seen before. Filmed in some of the wildest country known to man across Canada, the USA and Argentina with a budget that started off at US$60M that rose to US$95M and ended at US$135M and certainly not without its location, weather, crew and filming challenges. But for all of that Inarritu's has delivered a master stroke of film making using inhospitable but beautiful locations, expertly shot by lensman Emmanuel Lubezki using mostly only natural light, and delivering two outstanding performances from the lead actors Leonardo DiCaprio and Tom Hardy especially. Released on 25th December in time to qualify for the upcoming Academy Awards, the film has so far grossed US$225M and has secured twelve Academy Award nominations for Best Picture, Best Lead Actor, Best Supporting Actor, Best Directing, Best Cinematography, Best Editing, Best Production, Costume, Make-Up & Hair, Sound Mixing and Editing and Visual Effects. Similarly it is up for eight BAFTA Awards and it walked away with three Golden Globe wins for Best Picture, Best Direction and Best Actor.

And so to the story. Set in the early 1820's and based on the experiences of expert fur trapper and frontiersman Hugh Glass (Leonardo DiCaprio) who in the harsh lands of Montana and South Dakota lead a group of men to secure prized animal pelts for sale at a high price. Hunting in the harshest of lands Glass and his men, that include John Fitzgerald (Tom Hardy); Andrew Henry (Domhnall Gleeson) as Captain of the hunting party; Jim Bridger (Will Poulter) as a younger trapper; and Hawk (Forrest Goodluck) as Glass' young adult half-Indian son; must battle the toughest terrain, not to be trusted French soldiers, not to be trusted work colleagues, blood thirsty native Indians, ever changing weather conditions, and fierce animals that can either hunt or be hunted. Definitely not for the faint hearted, and Inarritu and Lubezki capture this beautiful, bleak and foreboding landscape and all its dangers with a deft touch that is richly rewarding, technically brilliant and totally consuming.

Early on when the hunting party are unexpectedly and savagely attacked by Arikara Indians, the trappers flee by boat but not before many deaths, and the loss of many pelts. With what's left they abandon the boat downstream to hide the remaining valuable pelts for fear of further attacks, and with less to carry over the mountains on foot their journey back to Fort Kiowa will be easier and faster. With only ten men left now out of an original group of 40+, the men make camp for the night. Waking early the next morning Glass wanders off into the woods alone and is mauled by a fully grown grizzly bear protecting its cubs. Not once, but twice, in a scene that is so raw and savage that it will have you on the edge of you seat as you contort and grimace as every bone crunching, flesh shredding, blood letting frame that leaves Glass alive . . . but only just!

Unable to speak, stand, and barely move with his life seemingly ebbing away he is recovered by the remaining group who commit to get Glass back to the fort and so rig up a makeshift stretcher. Fitzgerald though believes that Glass is so close to death that they should end his pain & suffering there, but he is over ruled by the others and Henry who offers up a cash reward for those that stay behind until Glass perishes and then bury him properly. With cash on offer Fitzgerald and Bridger offer to stay behind, accompanied by Glass' dutiful son, Hawk.

Ultimately what unfolds is that Fitzgerald kills Hawk whilst Bridger is out of sight, and this is witnessed by Glass who is powerless to do anything about it. Believing that Glass is near death, Fitzgerald convinces Bridger that Hawk has succumbed to an Indian attack and that they should leave Glass behind and return to the Fort, tell Henry they did the right thing by Glass and claim their cash reward. And so they do, turning their back on Glass who is dragged into a shallow ditch despite his life threatening injuries and covered with damp soil . . . to die!

The film plays out with Fitzgerald and Bridger making their way on foot across the harsh Winter terrain back to Fort Kiowa, as Glass hauls himself out of his shallow grave and drags himself to safety for fear of further Indian attacks. As time progresses Glass does recover slowly but surely, and with a dogged determination to exact out his revenge on Fitzgerald. Hungry, thirsty, nursing open wounds and unable to walk Winter is closing in as he reaches a river, and to escape Indians on his trail he floats down the rapids to safety for the time being. He encounters danger and hostile conditions almost every step of the way but as the weeks pass his health begins to improve, he can stand on two feet, but his wounds are still gaping. He crosses paths with a friendly Pawnee Indian who shares a recently killed bison with him and they travel together with the Pawnee helping nurse Glass back to health as best as he can and provide shelter from the worsening Winter weather.

Glass must endure further hardships and set backs at the hands of French soldiers, marauding Arikara Indians again, and freezing temperatures as he continues his journey south. By now Fitzgerald and Bridger have arrived at Fort Kiowa, spin their story to Henry and take their cash reward. As more weeks pass Glass continues south on foot having lost his horse in a spectacular cliff fall that leaves the horse dead, but still with purpose for Glass who needs to find shelter and warmth from the bitter cold and snow storm closing in.

In time Glass makes it on foot to the Fort and so the truth will out . . . by which time Fitzgerald has made off with his money and that held in the Fort's strong box, and now believed to be heading to Texas to enlist. Glass and Henry give chase and it all comes to an end in a bitter hand to hand fight down beside a snow covered riverbank.

DiCaprio immerses himself in the role and plays his character with such conviction that if  he doesn't win the Best Actor Oscar at the upcoming Awards then he should give up his chosen career for something less challenging and demanding. You can tell that he put his heart and soul into the Hugh Glass character, and what he doesn't say on screen but what he portrays through his actions, mannerisms, pain, fear and emotion speak volumes louder. Tom Hardy is also thoroughly believable as the villain in the piece and is deserving too of his Supporting Actor nomination. All credit though must go to Alejando Gonzalez Inarritu for his vision for this story, the deeply committed performances he pulled out of his cast, the richness of the cinematography, and the rugged landscapes he used as the backdrop to this film despite the challenges endured by all, and the escalating budget.

Intense, uncompromising, raw, and beautiful, this is one of the best films of the year without doubt. Do yourself a favour and see it on the big screen and immerse yourself for 150 minutes in an accomplished piece of filmmaking on almost every level. For me the writing is already on the wall at the Academy Awards!

 

-Steve, at Odeon Online-

Wednesday 27 January 2016

What's new in Odeon's this week : Thursday 28th January 2016.

Well G'Day and I'm very pleased to return to these humble pages following a family holiday to Vietnam. Much has happened during that time in the movie world  including the Golden Globe Awards winners & grinners were announced on January 10th with 'The Revenant' picking up Best Drama Film, Best Actor for Leonardo DiCaprio and Best Director for Alejandro Gonzalez Inarritu; 'The Martian' picked up Best Musical or Comedy Film and Best Actor for Matt Damon; Best Actress went to Brie Larson for 'Room' and Jennifer Lawrence for 'Joy' in each category; Best Supporting Actor went to Sylvester Stallone for 'Creed' and the Actress win to Kate Winslett for 'Steve Jobs'. We also mourned the very sad and premature passing of two film greats in David Bowie and Alan Rickman - the former on 10th January whose contribution as Singer/Songwriter first and foremost and then as an Actor is almost without equal; and Alan Rickman who passed on 14th January with 68 acting credits to his name and who can forget his Hans Gruber from 'Die Hard', Alexander Dane from 'Galaxy Quest' and Professor Severus Snape from the 'Harry Potter' series - both will be sorely missed, but their lasting legacy lives on. And of course the 'Star Wars' behemoth continues to roll on with global Box Office takings now nudging US$2B making it the third highest grossing film of all time. And finally, let's not forget that Odeon Online turned two years of age on 26th January - launched on Australia Day 2014, thanks to all for your well wishes, support and readership over that time.

There has also been a haul of new movie content released during that time, with a few others due out this week which include a long term abduction story of a mother and her son born into forced captivity whose only knowledge of the world is from within a 3x3 square shed, until they risk a bid for freedom, but at what cost to them both? Then we have a Catholic Church child sex abuse film uncovered by intrepid newspaper reporters determined to go to print with their findings whilst others in power will do what they can to prevent their cause; and finally an Australian family drama as a teenage girls goes missing.

When you have sat through your movie(s) of choice and wish to share your views and opinions with other like minded cinephiles, you can leave your own Review in the Comments section below this or any other Post, and let us know what you think. In the meantime, enjoy your film.

ROOM (Rated M) - I saw this film a few days before its Australian release, and have already Posted my Review earlier in the week, awarding this film Four Clapperboards. This is likely to be as much an emotional rollercoaster ride, a tear jerker and heart wrenching film as any you're likely to see this year that could easily be based on real life events, as have unfolded in the worlds media in very recent years. Already doing very well around the awards circuit with 54 wins and another 98 nominations including four Oscar nominations pending for Best Film, Best Director, Best Adapted Screenplay and Best Actress for Brie Larson who has already scooped the Golden Globe for her performance, this film is directed by Lenny Abrahamson and is based on the book of the same name by Emma Donoghue.

The story here centres around Joy Newsome (Brie Larson) known to her young five year old son Jack (Jacob Tremblay) as Ma. Joy would be in her mid-twenties and we quickly learn that for the last seven years she has been held captive in a room that measures no more than three metres square. It is a squalid room and this is the world for Ma and young Jack. There are four solid walls and the roof with only a skylight window which allows natural light in but cannot be opened, and the room is sound proofed and its only door is controlled by means of an electronic security keypad. For Jack, this is the world as he knows it, but turning five, his world is about to be turned upside down! 'Room' had its world wide premier at the Telluride Film Festival in early September last year and a limited US release in mid-October and reaches our shores this week. Made for just US$6M it has so far grossed US$9M and also stars Joan Allen, William H. Macy, and young Jacob Tremblay who is also receiving much awards attention as the young son to Brie Larson's mother character.

SPOTLIGHT (Rated M) - Directed by Tom McCarthy this film has an all star cast and tells the true story of the real 'Spotlight' Team who in 2001 working for The Boston Globe on a long term investigative journalism piece, uncover multiple child sex abuse allegations within the Catholic Church within the greater Boston area, and which has been going on for many many years. What they also uncover is that these activities have been going on under the full knowledge of the city's higher echelons of power, and that Catholic Priest offenders were allowed to re-offend. A slow burn investigative journalism offering that will piece together like a jigsaw puzzle in the end, but the fun is getting there in the first place! Starring Michael Keaton, Mark Ruffalo, Liev Schreiber, John Slattery, Stanley Tucci, Billy Crudup and Rachel McAdams this film is in the running for six Oscars and has already picked up 79 award wins and another 105 nominations. Made for US$20M it has so far taken US$34M, and judging by the accolades bestowed up it, this is another to add to your must-see list!

LOOKING FOR GRACE (Rated M) - this little Australian family drama is Directed and Written by Sue Brooks and released on Australian Day (26th January) it clearly has the intention of attracting some home spun family drama from beneath the family barbecue. When teenage daughter Grace (Odessa Young) goes missing with Dad's cash savings so Mum Denise (Radha Mitchell) and Dad Dan (Richard Roxburgh) go in search of her but along lifes winding roads the journey reveals more about inner secrets than perhaps should be brought to the fore, given the circumstances!

That's it for this week, but of course there is also a whole heap of other great film content still out on general release and as either Reviewed or Previewed between these pages.  Do your bit and get out there to see a movie this week, and support the film industry in the process.

See you at the movies.

-Steve, at Odeon Online-

Tuesday 26 January 2016

ROOM : Monday 25th January 2016.

'ROOM' which I saw this week, is likely to be as much an emotional rollercoaster ride, a tear jerker and heart wrenching film as any you're likely to see this year that could easily be based on real life events,and is sure to leave its mark on your movie going memory long after the credits have rolled. Already doing very well around the awards circuit with 54 wins and another 98 nominations including four Oscar nominations pending for Best Film, Best Director, Best Adapted Screenplay and Best Actress for Brie Larson who has already scooped the Golden Globe for her performance, this film is directed by Lenny Abrahamson and is based on the book of the same name by Emma Donoghue. 'Room' had its world wide premier at the Telluride Film Festival in early September last year and a limited US release in mid-October and reaches our shores this week. Made for just US$6M it has so far grossed US$9M and also stars Joan Allen, William H. Macy, and young Jacob Tremblay who is also receiving much awards attention as the young son to Brie Larson's mother character.

The story here centres around Joy Newsome (Brie Larson) known to her young five year old son Jack (Jacob Tremblay) as Ma. Joy would be in her mid-twenties and we quickly learn that for the last seven years she has been held captive in a room that measures no more than three metres square. It is a squalid room and this is the world for Ma and young Jack who was fathered by Joy's captor known only as Old Nick (Sean Bridgers) who repeatedly visits her for sex whilst Jack sleeps in the wardrobe. The room has very basic fittings which the two must share - a bath, a sink, a table and two chairs, a bed, a television, and a rudimentary kitchenette. There are four solid walls and the roof with a skylight window which allows the only natural light in, but cannot be opened, and the room is sound proofed and it's only door is controlled by means of an electronic security keypad.

For the first five years of his life Jack has been led to believe by his mother that the room is their world and nothing exists outside of it, and what they see on the television only exists in the television - it is not real. Joy, despite her surroundings, has tried to create an environment for Jack where he can still learn & grow, be stimulated and kept active, and lead a fulfilled life in his own beliefs which his Ma has instilled in him. All the while Joy suffers from her own depressions and malnutrition but remains eternally optimistic and upbeat for Jack's sake in the hope that one day they may be freed.

With this in mind and with the advent of Jacks fifth birthday Joy begins to sew the seeds in Jack that as he is growing up and becoming smarter so he needs to learn that in fact the world outside is real, and whilst they are 'inside' there is an 'outside' where there are trees, and animals, and other people. At first Jack dismisses this and rebels against his Ma in anger. In time he begins to ask questions about what he sees on television, which in turn opens up the dialogue to a possible escape plan but for which she needs Jacks support, understanding and cooperation, which for a five year old, who knows absolutely nothing of the real world other than a three by three meter shed, is a tall ask.

The plan involves Jack playing dead, having perished from the cold when Old Nick turns off the electricity supply during Winter. Ripped with 'grief' Joy rolls Jacks 'corpse' up in a carpet and explains to Old Nick that he was too late with the medication he was going to secure for Jack, and now he must dispose of the body. He agrees and hauls the rolled up carpet into the back of his pick-up truck at dusk. Inside Jack awaits until the third set of traffic lights and the car comes to a stop as instructed by his Ma, and then unrolls himself and jumps out of the truck and runs for the nearest passer by proclaiming that he is the son of Joy Newsome.

Mission accomplished, Jack is picked up confused, frightened and alone. The police are alerted who ask all the basic questions for which Jack has no answers, however, is taken in by the kind hearted and caring female police officer and through simple deduction descend on Old Nick's property where he is promptly arrested and never to be seen again, and Joy is freed and reunited with Jack.

What follows is Joy and Jacks integration back into society with the media frenzy that goes with such a case. After tests are run on both and a brief period of hospitalisation Joy is reunited with her parents Nancy (Joan Allen) and Robert (William H. Macy) who are now divorced. Nancy is remarried to Leo (Tom McCamus) who welcome them back to the family home for a period of readjustment, although Robert who now lives elsewhere cannot deal with Jack and is in denial that he is the product of his daughters captor and won't even look Jack in the eye because of it, much to the disgust of Joy.

Jack steadily learns to adjust to his new world, but Joy falls deeper into depression as the media frenzy continues and probing questions are asked about Jacks upbringing for the first five years of his life, his biological father and why she made the decisions she did despite her circumstances. As a result she overdoses, but is discovered in time by Jack who raises the alarm. He asks his grandmother to cut his hair for the first time in over five years in order that the off cut can be sent to his Ma in hospital to make her strong from his strong, having been told the story of Samson and the Lion and believing that strength comes from his long hair. Nancy agrees, in what is a truly touching scene.

With his Ma back home, and Jack finding a neighbourhood friend of his own, some sense of normality is starting to set in. Jacks says that sometimes he misses Room and would like to go back and so under police escort they visit the nearby house of Old Nick and the shed that was their world for seven years. Jack says of the now almost empty room that it is not the same with the door open, and so he says good bye to the individual fitments that remain and were not carted off as evidence, giving them both closure.

This is a story of survival, fortitude and optimism amongst the most isolated and hopeless circumstances. It is a harrowing tale of fear and redemption that is uplifting and rewarding in the final analysis and will warm the heart, but it will not be for everyone. A compelling story, well told and kudos to Director Abrahamson who eeks out two fine performances but perhaps most notably that of young Jacob Tremblay who puts in a turn that is nuanced, believable and worthy of the recognition he is getting for someone so young.



-Steve, at Odeon Online-